2026
4 November 2026, "Music Against Dictatorship(s)" for Ableton Push solo, live-electronics and video, perf. Piotr Peszat, University of Louisville New Music Festival 2026, Louisville / USA
3 November 2026, "Stone Music" for stones and multichannel live-electronics, perf. Piotr Peszat, University of Louisville New Music Festival 2026, Louisville / USA
3 November 2026, "Plant Concerto with Pianosong" for piano, sampler and audio playback, perf. Jessica Dorman (pno.), Piotr Peszat (electr.), University of Louisville New Music Festival 2026, Louisville / USA
2 November 2026, "Piano was a Pole" for piano and audio playback, perf. Jessica Dorman (pno.), Piotr Peszat (electr.), University of Louisville New Music Festival 2026, Louisville / USA
1 November 2026, "Discontinuity Anxiety" – for saxophone, vibraphone and violin, perf. Spółdzielnia Muzyczna Contemporary Ensemble, AFEKT Festival, Tallin / EST
31 October 2026, "Discontinuity Anxiety" – for saxophone, vibraphone and violin, perf. Spółdzielnia Muzyczna Contemporary Ensemble, AFEKT Festival, Tartu / EST
30 October 2026, "Discontinuity Anxiety #2" – for saxophone, vibraphone, violin & audio playback, perf. Dawid Sikora (sax.), Michał Kisielewicz (vibr.), Julia Szlenda (vn.), Sonic Exploration – Sound, Territory & Research, Conservatorio di Musica 'Umberto Giordano', Foggia / IT
6 October 2026, “And I am on stage again” – for solo trombone, audio playback, live electronics and live video, performed by Thomas Moore (trombone), Piotr Peszat (electronics), Vannes Gonnissen (sound engineer), Hochschule für Musik und Tanz Cologne, Cologne / D
27 September 2026, performance of the electroacoustic parts and video in Żaneta Rydzewska’s “eco stories” and in Barbara Zach’s “Conocybe filaris”, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, video); ENSEMS Festival, Valencia / E
21 September 2026, “As If Understood” – for chamber ensemble, audio playback and live electronics, performed by No Hay Banda, MFMW “Warsaw Autumn”, Warsaw / PL
11 September 2026, “PSV4” – for solo gamepad, symphony orchestra, live-electronics and video, performed by Aleksander Wnuk (solo gamepad), Sinfonia Varsovia, Radosław Szulc (conductor), Piotr Peszat (electronics), Warsaw / PL
20 August 2026, “Granular Bodies” – for objects, saxophone and solo live-electronics, performed by Aleksander Wnuk (objects), Krzysztof Guńka (saxophone), Piotr Peszat (live-electronics), Spółdzielnia Muzyczna contemporary ensemble – On-site concert, Cracow / PL
20 August 2026, performance of the electroacoustic part in Sara Ramirez Marquez’s “Innerbloom” for alto saxophone and live-electronics, performed by Krzysztof Guńka (saxophone), Piotr Peszat (live-electronics), Spółdzielnia Muzyczna contemporary ensemble – On-site concert, Cracow / PL
13 July 2026, performance of the electroacoustic and video parts in Barbara Zach’s “Conocybe filaris”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, video), Summartónar Festival, The Nordic House, Tórshavn / FO
12 July 2026, performance of the electroacoustic and video parts in Żaneta Rydzewska’s “eco stories”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, video), Summartónar Festival, Mentanarhúsið Varpið, Klaksvik / FO
11 July 2026, performance of the electroacoustic and video parts in Barbara Zach’s “Conocybe filaris”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, video), Summartónar Festival, Kolshøll, Aulan í Finsen, Tórshavn / FO
9 July 2026, performance of the electroacoustic and video parts in Barbara Zach’s “Conocybe filaris”, Eloain Lovis Hubner’s “crunch modes 3.0”, Nina Fukuoka’s “Polka is a Czech Dance” and Yoko Konishi’s “Motus Umbra”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, video), at the international festival “Heroines of Sounds”, Berlin / D
4 July 2026, “Dictionary of Imagined Sounds – Resonances” for chamber ensemble, live-electronics and live-video. A composition for d/Deaf and hearing audiences; performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – live-electronics, video), Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
4 July 2026, leading a workshop entitled “Dictionary of Imagined Sounds: Resonances #4”, organised by the Spółdzielnia Muzyczna contemporary ensemble and the Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
24 June 2026, performance of the “Mode: Invisible” by Justyna Tobera, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), Spółdzielnia Muzyczna: Interakcje / PLAYGROUND, Cricoteka, Cracow / PL
22 June 2026, led a masterclass “Electronics – composition and performing issues” as part of the international composition competition “PLAYGROUND 2026 – call for collaborations”; organised by Spółdzielnia Muzyczna contemporary ensemble, Spółdzielnia Muzyczna, Cracow / PL
12 June 2026, “Stone Music #2” – for solo live-electronics, performed by Piotr Peszat, Spółdzielnia Muzyczna contemporary ensemble – On-site concert, Cracow / PL
12 June 2026, leading a workshop entitled “Dictionary of Imagined Sounds: Resonances #3”, organised by Spółdzielnia Muzyczna contemporary ensemble, Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
31 May 2026, “bach. suite” – for a computer string quartet and live-electronics, performed by Piotr Peszat, Spółdzielnia Muzyczna contemporary ensemble – On-site concert, Cracow / PL
16 May 2026, “CARDIO” – for flute, live-electronics and a fitness instructor, performed by Małgorzata Mikulska (flute) and Magdalena Głowacz (fitness instructor), Piotr Peszat (live-electronics), “Musica Polonica Nova” Festival, National Forum of Music, Wrocław / PL
22 May 2026, leading a workshop “Dictionary of Imagined Sounds: Resonances #2”, organised by the Spółdzielnia Muzyczna contemporary ensemble, Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
26 April 2026, “Szosta #5”, composition and performance of the electroacoustic and live-video parts during the concert “Scena Młodych / Szosta 5 x NOSPR Academy”, Néstor Bayona (conductor), NOSPR Academy Orchestra, Piotr Peszat (electronics, live-video), Grzegorz Mart (live video), Katowice / PL
25 April 2026, leading a workshop “Dictionary of Imagined Sounds: Resonances #1”, organised by the Spółdzielnia Muzyczna contemporary ensemble, Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
29 March 2026, performance of the “Vintage” by Nikolet Burzyńska, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics, chromaplane), concert at the 100th anniversary of Polish Radio, Cracow / PL
March 2026, release of the monographic album “Opera.EXE” on Spotify, PEnderSZATch Records
28 February 2026, music for the theatre performance “Complaint”, directed by Klaudia Hartung-Wójciak, Online
February 2026, release of the monographic CD “Piano Was a Pole”, performed by Małgorzata Walentynowicz, Requiem Records, Opus Series, OPUS 126 | 2025
21 February 2026, performance of Bogusław Schaeffer’s “tentative music”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – synthesiser), Opera RARA Festival, Museum of Contemporary Art in Kraków (MOCAK), Cracow / PL
12 February 2026, music for the dance theatre performance “Opera.EXE”, choreography by Eryk Makohon, Cracow Dance Theatre, Opera RARA Festival, Cricoteka, Cracow / PL
11 February 2026, music for the dance theatre performance “Opera.EXE”, choreography by Eryk Makohon, Cracow Dance Theatre, Opera RARA Festival, Cricoteka, Cracow / PL
8 February 2026, performance of Enno Poppe’s “IQ”, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – sound design), Opera RARA Festival, Cricoteka, Cracow / PL
7 February 2026, performance of Enno Poppe’s “IQ”, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – sound design), Opera RARA Festival, Cricoteka, Cracow / PL
6 February 2026, performance of Enno Poppe’s “IQ”, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – sound design), Opera RARA Festival, Cricoteka, Cracow / PL
10 January 2026, “Marimba was a Pole” – for marimba and audio playback, performed by Julianna Kamila Siedler-Smuga, Hashtag Lab, Warsaw / PL
2025
17 December 2025, “And I am on stage again” for solo trombone, audio playback, live-electronics and live-video, performed by Thomas Moore (trombone), Piotr Peszat (electronics), Vannes Gonnissen (sound engineer), Tadeusz Kantor Art Documentation Centre Cricoteka, Cracow / PL
2 December 2025, “Digital Environments” – for chamber ensemble and multi-channel live-electronics, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), “Interakcje”, Cricoteka, Cracow / PL
28 November 2025, “The Poetry of Silence #2” for amplified accordion and audio playback, performed by Rafał Łuc, Academy of Music in Kraków, Cracow / PL
28 November 2025, “Digital Environments” for chamber ensemble and multi-channel live-electronics, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), Musica Moderna Festival, Łódź / PL
18 November 2025, “Birth of Venus #3” for any string instrument, amplified cello and live-video, performed by telam::ensemble, “Piekarnia” Centre for Performing Arts, Wrocław / PL
16 November 2025, leading the workshop “Conceptualism in Sound and the Visual Arts” (as part of the series “Open your ears, open your eyes! Interdisciplinary workshops on music and the visual arts”), organised by Spółdzielnia Muzyczna contemporary ensemble, Cracow / PL
16 November 2025, leading the workshop “The Noise Orchestra”, organised by the Spółdzielnia Muzyczna contemporary ensemble, Cracow / PL
27 October 2025, participation in the conference “Practise Accessibility” as part of the Podkarpacie Festival of Exceptional People, organised by the Provincial Cultural Centre in Rzeszów, presentation of vibrating armchairs in collaboration with Katarzyna Feiglewicz, Rzeszów / PL
23 October 2025, performance of the “Hommage à Luciano Berio”, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), Spółdzielnia Muzyczna: Interactions #8, KTO Theatre, Cracow / PL
17 October 2025, arrangement and performance of the “Baroque Disco” for historical instruments and audio playback, Silence Music Festival, Stradom House Autograph Collection, Cracow / PL
10 October 2025, Open space – workshops for composers, lecture – “Electronics – compositional and performance issues”, Spółdzielnia Muzyczna contemporary ensemble, Cracow / PL
5 October 2025, “Grid” for the Chromaplane electronic instrument, National Museum in Kraków as part of the event “A Million Reasons to Celebrate”, Cracow / PL
21 September 2025, “La Vie et la Passion de Jésus-Christ” for chamber ensemble, audio playback, live electronics and video, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), Festival Musica Strasbourg / F
14 September 2025, “The Imaginary Soundscape” for flute and multi-channel live-electronics, performed by Małgorzata Mikulska (flute) and Piotr Peszat (electronics), Ad Libitum Festival, Ujazdowski Castle Centre for Contemporary Art, Warsaw / PL
13 September 2025, “Non-Lieux Hashtag Lab” for live-electronics, performed by Piotr Peszat, Ad Libitum Festival, Hashtag Lab, Warsaw / PL
7 September 2025, ”Suiseki Stone Music* for stones and live-electronics, performed by Piotr Peszat, Manggha Museum of Japanese Art and Technology, Cracow / PL
5 September 2025: “The Imaginary Soundscape” for flute and multi-channel live-electronics, performed by Małgorzata Mikulska (flute), Piotr Peszat (electronics), Biuro Dźwięku Katowice, Katowice / PL
5 September 2025, “Plant concerto with Pianosong” for piano, sampler and audio playback, performed by Małgorzata Walentynowicz, Futurofonia Festival, Baltic Opera in Gdańsk / PL
30 August 2025, “Non-Lieux Kopernika 19” for live-electronics, performed by Piotr Peszat, Spółdzielnia Muzyczna contemporary ensemble, Cracow / PL
12 July 2025, “Słownik Dźwięków Wyobrażonych – Syntezy” for chamber ensemble, live-electronics and live-video; a composition for d/Deaf and hearing audiences, performed by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat, electronics), MOCAK Museum of Contemporary Art, Cracow / PL
9–13 June 2025, artist-in-residence at Biuro Dźwięku Katowice, working on the piece “The Imaginary Soundscape”, Katowice / PL
13 June 2025, “Dictionary of Imaginary Places” for solo violin, audio playback and live-electronics, performed by Alicja Pilarczyk, String Attached Festival, Det Vestnorske Teateret, Bergen / N
30 May 2025, “And I am on stage again” – for solo trombone, audio playback, live-electronics and live-video, performed by Thomas Moore (trombone) and Piotr Peszat (electronics), De Singel, Antwerp / D
17 May 2025, “Plant concerto with Pianosong” – for piano, sampler and audio playback, performed by Małgorzata Walentynowicz, “Musica Electronica Nova” Festival, NFM, Wrocław / PL
22 February 2025, “Untitled Folder #4” – for chamber ensemble and sampler, performed by Spółdzielnia Muzyczna contemporary ensemble, National Museum in Kraków, Cracow / PL
22 February 2025, “Real Life Proof” for chamber ensemble, audio playback and video, performed by Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), National Museum in Kraków, Cracow / PL
2024
22 November 2024, “Masss” for live-electronics, performed by Piotr Peszat and Aleksander Wnuk (electronics), Audio Art Festival, Cracow / PL
15 November 2024, “Dictionary of Imagined Sounds – Multisensory” for chamber ensemble, live-electronics and video, a composition for d/Deaf and hearing people, performed by the Spółdzielnia Muzyczna contemporary ensemble and Piotr Peszat (electronics), Cracow / PL
11 November 2024, performance of Jacek Sotomski’s “Hypercanzonas” by the Spółdzielnia Muzyczna contemporary ensemble (Piotr Peszat – electronics), Sacrum Profanum Festival, Cracow / PL
26 October 2024, performance of Zbigniew Karkowski’s “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), Neoarte – Synthesiser of Art, Gdańsk / PL
15 October 2024, “Mr Klassiker” – for two accordions and audio playback, performed by Wiesław Ochwat and Maciej Zimka (accordions), Piotr Peszat (electronics), 7th Kraków Accordion Festival, Cracow / PL
14 October 2024, composition and performance of the piece “Impossible Hearing” for accordion, live-electronics and video, performed by Wiesław Ochwat (accordion) and Piotr Peszat (live-electronics), 7th Kraków Accordion Festival, Cracow / PL
4 October 2024, performance of Zbigniew Karkowski’s piece “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), Unsound Festival, Cracow / PL
29 September 2024, “Muzyka Recepturowa” for objects, live-electronics and video, performed by Piotr Peszat, SILENCE Music Festival, Cracow / PL
4 August 2024, performance of Zbigniew Karkowski’s “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), Sanatorium Dźwięku, Sokołowsko / PL
6 July 2024, “Super CARDIO” – for chamber ensemble, audio playback, live-electronics and video, performed by the Hashtag Ensemble, AżTak Festival, Warsaw / PL
23 March 2024, performance of Zbigniew Karkowski’s “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), MaerzMusik, Berlin / D
15 March 2024, music for the dance theatre performance “Treatise”, choreography by Milan Tomášik, performed by the Cracow Dance Theatre, Tadeusz Kantor Art Documentation Centre Cricoteka, Cracow / PL
6–8 February 2024, performance of the multimedia layer in Fausto Romitelli’s “An Index of Metals”, performed by Spółdzielnia Muzyczna contemporary ensemble, Anna Zawisza (soprano), Piotr Peszat (electronics, video), Opera Rara Festival, Cracow / PL
2023
30 December 2023, music for the dance theatre performance “Shakespeare”, choreography by Eryk Makohon, performed by the Cracow Dance Theatre, Groteska Theatre, Cracow / PL
26 November 2023, “Movement of People Playing #2” – for flute, painter and live-electronics, performed by Małgorzata Mikulska (flute), Grzegorz Mart (painter), Piotr Peszat (live-electronics), New Music New Technologies – F. Chopin University of Music, Warsaw / PL
25 November 2023, “My Instrument Was a Pole” – for vibraphone, piano and audio playback, performed by the Nowicki Duo, Audio Art Festival, Cracow / PL
19 November 2023, “PEnderSZATch Rising” for chamber ensemble, audio playback, live-electronics and video, performed by the Nadar Ensemble, Huddersfield Contemporary Music Festival, Huddersfield / UK
20 October 2023, “Movement of People Playing” – for solo flute and live-electronics, performed by Małgorzata Mikulska (flute) and Piotr Peszat (live-electronics), concert marking the 50th anniversary of the Studio of Electroacoustic Music at the Academy of Music in Kraków, Cracow / PL
13–15 October 2023, performance of the instrumental part in the “Music for Intonarumori” by Aleksandra Słyż and Gerard Lebik during the international “Only Connect Festival of Sound”, Oslo / N
2 October 2023, performance of Zbigniew Karkowski’s “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), Vilnius / LT
17 September 2023, “PEnderSZATch Rising” – for chamber ensemble, audio playback, live-electronics and video, performed by the Nadar Ensemble, 66th MFMW “Warsaw Autumn”, Warsaw / PL
9 September 2023, “Non-Lieux #6 [Bydgoszcz]” – for live-electronics and live-video, performed by Piotr Peszat, Mózg Festival, Bydgoszcz / PL
7 September 2023, “PEnderSZATch Rising” – for chamber ensemble, audio playback, live-electronics and video, performed by the Nadar Ensemble, Gaudeamus Festival, Utrecht / N
21–27 August 2023, participation in the international “Nadar Summer School” workshops, organised by Nadar Summer School, the Adam Mickiewicz Institute and “Warsaw Autumn” Festival, Antwerp / B
11–12 August 2023, performance of the instrumental part in the “Music for Intonarumori” by Aleksandra Słyż and Gerard Lebik during the international “Sanatorium Dźwięku” Festival, Sokołowsko / PL
1 August 2023, music for the theatre play “I Want to Sleep Through This Barren Time When She Is Not With Me”, directed by Klaudia Hartung-Wójciak, Festiwal Szekspirowski, Gdańsk / PL
14 June 2023, music for the theatre play “VHS/Visual Homemade Stories”, directed by Klaudia Hartung-Wójciak, Teatr Dramatyczny, Warsaw / PL
2 March 2023, “My Instrument Was a Pole” – for vibraphone, piano and audio playback, performed by Paweł Nowicki and Piotr Nowicki, New Music at the Old Town Hall, Gdańsk / PL
19 February 2023, “Gewalt der Musik” – for chamber ensemble, voice and live-electronics, performed by Ensemble Modern, CRESC… 2023 Biennale für aktuelle Musik, Frankfurt / D
3 February 2023, “Non-Lieux #5 [Cricoteka]” for live-electronics and live-video, performed by Piotr Peszat, Tadeusz Kantor Centre for Art Documentation Cricoteka, Cracow / PL
30 January 2023, “I Shall Never Return” – for solo flute and live-electronics, performed by Rafał Zolkos (flute) and Piotr Peszat (electronics), Geneva / CH
27 January 2023, “I Shall Never Return” – for solo flute and live-electronics, performed by Rafał Zolkos (flute) and Piotr Peszat (electronics), Ackermannshof, Basel / CH
26 January 2023, “I Shall Never Return” – for solo flute and live-electronics, performed by Rafał Zolkos (flute) and Piotr Peszat (electronics), programme, Bern / CH
25 January 2023, “I Shall Never Return” – for solo flute and live-electronics, performed by Rafał Zolkos (flute) and Piotr Peszat (electronics), Walcheturm, Zurich / CH
2022
17 December 2022, “I Shall Never Return” – for solo flute and live-electronics, performed by Rafał Zolkos (flute) and Piotr Peszat (electronics), Academy of Music in Kraków, Cracow / PL
14 December 2022, music for the dance theatre performance “Translations”, directed by Eryk Makohon, Kraków Dance Theatre, Tadeusz Kantor Art Documentation Centre Cricoteka, Cracow / PL
5 December 2022, “Comforting Music #2” for two marimbas, live-electronics and video, performed by the Dalbergia Duo “Musica Moderna” Festival, Łódź / PL
2 December 2022, “Non-Lieux #4 [Kolonia Artystów]” – for live-electronics and live-video, performed by Piotr Peszat, Kolonia Artystów, Gdańsk / PL
24 November 2022, “Non-Lieux #3 [HEVRE]” for live-electronics and live-video, performed by Piotr Peszat, Audio Art Festival, HEVRE, Cracow / PL
12 November 2022, “Let Us Now Hold Hands” – version for accordion, percussion, performers and video [a piece for d/Deaf and hearing audiences], performed by Ensemble Kompopolex, Wro Art Centre, Wrocław / PL
4 November 2022, “Non-Lieux #2 [MuFo]” – for live-electronics and live-video, performed by Piotr Peszat, as part of the ‘FALOWANIE’ conference, organised by the Jan Matejko Academy of Fine Arts in Kraków and the MuFo Museum of Photography, Cracow / PL
28 October 2022, music for the theatre play “Środula. Krajobraz Mausa”, directed by Remigiusz Brzyk with text by Iga Gańczarczyk, Teatr Zagłębia, Sosnowiec / PL
26 October 2022, “Music, Action!” – for a painter, orchestra, live-electronics and live-video, performed by Sinfonia Varsovia, Grzegorz Mart, Piotr Peszat, Stavanger Konserthus, Stavanger / N
15 October 2022, “Non-Lieux #1 [św. Tomasza 43 Kraków]” for live-electronics and live-video, performed by Piotr Peszat, at the “Strefa” conference, organised by the Studio of Electroacoustic Music at the Academy of Music in Kraków, Cracow / PL
9 September 2022, performance of Zbigniew Karkowski’s “Form and Disposition”, performed by Aleksander Wnuk (percussion, live-electronics) and Piotr Peszat (electronics), Sacrum Profanum Festival, Cracow / PL
3 September 2022, “TVTVP – Thousand More Years” – a multimedia performance for voice, live-electronics and video, performed by Piotr Peszat, Sacrum Profanum Festival, Cracow / PL
4 August 2022, “Into the Heart of Hearts #2” – for string quartet and live-electronics, performed by musicians from the Sinfonia Varsovia orchestra, Stavanger Konserthus, Stavanger / N
17 July 2022, “La vie et la passion de Jésus Christ” for chamber ensemble and audio playback, performed by the Spółdzielnia Muzyczna contemporary ensemble, IEMA – Young Ensemble Academy, Frankfurt / D
2 July 2022, “Your Personal Rate of Growth in a Rapidly Changing World” – for solo piano, VR glasses, live-electronics and video, performed by Mabel Yu-ting Huang, “THE PRESENT Art” Festival, Wuppertal / D
2 July 2022, “Silesia’s Return to the Motherland”, an arrangement of Silesian uprising songs for chamber orchestra and electronics, performed by AUKSO – Tychy City Chamber Orchestra, Jakub Mokrzysiak, Piotr Peszat, Silesian Museum, Katowice / PL
17 June 2022, music for the theatre play “Wymazywanie”, directed by Klaudia Hartung-Wójciak, Helena Modrzejewska’s Stary Theatre in Kraków, Cracow / PL
28 May 2022, “TVTV – Intronisation” – for Ableton Push solo, performers, live-electronics and live-video, performed by Piotr Peszat, Spółdzielnia Muzyczna contemporary ensemble, Musica Polonica Nova, Wrocław / PL
7 February 2022, “An Accomplished Young Lady” for chamber ensemble, audio playback and live-video, performed by the Delirium Ensemble, Online
2021
17 December 2021, “I am as light as a wisp of wind. I am foaming. I am foam”, music for a theatre play, directed by Klaudia Hartung-Wójciak, Juliusz Osterwa Theatre, Lublin / PL
9 December 2021, “Untitled Folder #3” – for chamber ensemble, audio playback and live-video, performed by Ensemble Kompopolex, Performative December | WRO Biennale 2021 REVERSO, Wrocław / PL
4 December 2021, “Sensation Score #1” for harpsichord, VR glasses, live-electronics & video [with video created by Grzegorz Mart], performed by Małgorzata Klajn, Prix Annelie de Man Festival, Orgelpark, Amsterdam / N
30 November 2021, “Untitled Folder #3” for chamber ensemble, audio playback and live-video, performed by Ensemble Kompopolex, Unerhörte Musik, BKA Theatre, Berlin / D
28 November 2021, “Spółdzielnia Muzyczna: LEM” – for electronics and improvised sections, performed by Spółdzielnia Muzyczna contemporary ensemble and Andrzej Rozmus, Dworek Białoprądnicki, Cracow / PL
17 November 2021, “Songs of New Music I Have Seen” – for four EWI instruments, chamber ensemble, live-electronics and live-video, performed by EW4 and the Ensemble of Nomads, Gare du Nord, Basel / CH
16 November 2021, “Trombone Concerto” – for solo trombone, orchestra, live-electronics and live-video, performed by Mateusz Konopka (trombone), the New Music Orchestra, Szymon Bywalec (conductor), Piotr Peszat (electronics), Grzesiek Mart (video), Academy of Music in Łódź, Łódź / PL
5–8 November 2021, “Gewalt der Musik” – for chamber ensemble and live-electronics, workshop with Ensemble Modern, Frankfurt / D
30 October 2021, “Songs of New Music I Have Seen” – for four EWI instruments, chamber ensemble, live-electronics and live-video, performed by EW4 and Ensemble of Nomads, Academy of Music in Kraków, Cracow / PL
28 October 2021, “Songs of New Music I Have Seen” – for four EWI instruments, chamber ensemble, live-electronics and live-video, performed by EW4 and Ensemble of Nomads, Neubad, Lucerne / CH
28 October 2021, “Let Us Now Hold Hands” – for sampler, instruments, the Playtronica system and video, a piece for d/Deaf and hearing audiences, performed by Spółdzielnia Muzyczna contemporary ensemble, Dworek Białoprądnicki, Cracow / PL
27 October 2021, “Songs of New Music I Have Seen” – for four EWI instruments, chamber ensemble, live-electronics and live-video, performed by EW4 and Ensemble of Nomads, Progr. Bern / CH
22 October 2021, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Internationales Festival Für Neue Musik in Bremen, Bremen / D
21 October 2021, “Let Us Now Hold Hands” – a multimedia installation and workshops for d/Deaf and hearing audiences, Piotr Peszat & Spółdzielnia Muzyczna contemporary ensemble, Dworek Białoprądnicki, Cracow / PL
15 October 2021, “BezRuch” for clarinet, piano and audio playback, performed by Piotr Lato (clarinet) and Wioletta Fluda (piano), Academy of Music in Kraków, Cracow / PL
14 October 2021, “Let Us Now Hold Hands” – a multimedia installation and workshops for d/Deaf and hearing audiences, Piotr Peszat & Spółdzielnia Muzyczna contemporary ensemble, Dworek Białoprądnicki, Cracow / PL
2 October 2021, “Musikalisches Opfer #2” – for cello, voice, chamber ensemble, live-electronics and live-video, performed by the Spółdzielnia Muzyczna contemporary ensemble, Sacrum Profanum Festival, Cracow / PL
22 September 2021, “The Dictionary of Imaginary Places” – for solo violin, 4-channel audio playback, live-electronics and video, performed by Alicja Pilarczyk, Austrian Cultural Forum, Warsaw / PL
12 September 2021, “Untitled Folder #3” – for chamber ensemble, audio playback & live-video, performed by Ensemble Kompopolex, Kontrapunkt Festival, Szczecin / PL
2 September 2021, “The Poetry of Silence” – for solo accordion, Maciej Frąckiewicz, “ÜberBrücken” – concert with Maciej Frąckiewicz at Agathenburg Castle / D
19 June 2021, “Stary in concert vol. 1//: Dense Beats Stary in concert vol. 1//: Dense Beats Krzewińska/Mart/Peszat/Kiwer/Skoczek feat. Linowski/Przestrzelski”, Helena Modrzejewska Stary Theatre in Kraków, Cracow / PL
18 June 2021, ”The Promised Land of Error” – for soprano & live electronics, Marta Grzywacz (soprano), Piotr Peszat (electronics), Grzesiek Mart (stream art), Online
12 June 2021, RE: BREATHING workshops / POLITICAL VOICE INSTITUTE Maxim Gorki Theatre, Berlin / D
11 June 2021, “Ah, if I were to come and give, so cruel, my final farewell” – music to a theatre play, dir. Klaudia Hartung-Wójciak TP Bydgoszcz / PL
30 May 2021, ”Jenny’s Soul. Or Dirk’s?” – for percussion, audio playback and video, performed by Aleksander Wnuk, Musica Electronica Nova Festival, Wrocław / PL
30 January 2021, music for a theatre play “Lady Dada”, directed by Iga Gańczarczyk, Online
2020
20 December 2020, “Trombone Concerto” – for solo trombone, chamber orchestra, live-electronics and live-video, performed by Mateusz Konopka (trombone), the New Music Orchestra, Szymon Bywalec (conductor), Piotr Peszat (electronics), Grzegorz Mart (video), Online
18 December 2020, “Dictionary of Imaginary Sounds” – for a chamber ensemble, live-electronics and video, piece for d/Deaf and hearing audiences, performed by Spółdzielnia Muzyczna contemporary ensemble, Online
18 December 2020, “The Piano was a Pole” – for piano, live-electronics, live-video and lights, performed by Małgorzata Walentynowicz (piano), Piotr Peszat (electronics), Academy of Music in Kraków, Online
18 December 2020, “An Accomplished Young Lady #2” – video with two-channel sound, Academy of Music in Kraków, Online
18 December 2020, “St. Christopher’s Day” – for solo piano and audio playback, performed by Małgorzata Walentynowicz (piano) and Piotr Peszat (electronics), Academy of Music in Kraków, Online
18 December 2020, “I Know I Can Trust My Piano, it has never let me down” – video with two-channel sound, Academy of Music in Kraków, Online
18 December 2020, “Crowning Him With Thorns” – for sampler and audio playback, performed by Małgorzata Walentynowicz (piano) and Piotr Peszat (electronics), Academy of Music in Kraków, Online
19 November 2020, music for the theatre play “VHS – Visual Homemade Stories”, directed by Klaudia Hartung-Wójciak, Teatr Nowy Proxima, Cracow / PL
14 November 2020, “Plant Concerto with Pianosong” – for solo piano and sampler, chamber ensemble, audio playback and video, performed by Spółdzielnia Muzyczna contemporary ensemble, Audio Art Festival, Cracow / PL
14 November 2020, performance of the electroacoustic part in the “Essay on the Fall” by Viacheslav Kyrylov and “Plant Concerto with Pianosong” by Piotr Peszat as part of the “Neon Forest Space” concert by the Spółdzielnia Muzyczna contemporary ensemble, Audio Art Festival, Cracow / PL
8 November 2020, “PEnderSZATch” – for chamber ensemble, audio playback, video and democratic audience participation, performed by Spółdzielnia Muzyczna contemporary ensemble, Sacrum Profanum Festival, Cracow / PL
24 October 2020, “The Dictionary of Imaginary Places” – for solo violin, four-channel audio playback, live-electronics and video, performed by Alicja Pilarczyk (violin), Piotr Peszat (electronics) and Grzegorz Mart (video), Trafostacja Sztuki, Szczecin / PL
24 October 2020, performance of the electroacoustic, live-electronics and video parts in Jorge Sánchez-Chiong’s “Jupiter Analogs” and “Salt Water”, and Stylianos Dimou’s “Electro Foile for Violectra” as part of Alicja Pilarczyk’s “Non Lieu” concert, Trafostacja Sztuki, Szczecin / PL
13 October 2020, “Jenny’s Soul. Or Dirk’s?” – for solo percussion, audio playback and video, performed by Aleksander Wnuk, “Unerhörte Musik”, BKA-Theater, Berlin / D
8 September 2020, music for a theatre play “Święto wiosny na aturi i mimozy wstydliwe”, directed by Klaudia Hartung-Wójciak, Soho Factory, Warsaw / PL
21 August 2020, multimedia performance “Koncert na Balony”, by Julia Basista, Jakub Gucik and Piotr Peszat, performed by Julia Basista, Jakub Gucik and Piotr Peszat, Tadeusz Kantor Centre for Art Documentation CRICOTEKA, Cracow / PL
18 August 2020, “Plant Concerto with Pianosong” – for solo piano and sampler, chamber ensemble, audio playback and video, performed by Spółdzielnia Muzyczna contemporary ensemble, as part of the “Experimental Tuesdays” concert series, Warsaw / PL
4 June 2020, “Empty City Radio #1” – for instrumental ensemble, audio playback and video, performed by the NOSPR – Polish National Radio Symphony Orchestra, Grzegorz Mart (video), Online
6 March 2020, performance of the multimedia part in Michael Beil’s “Caravan” and Óscar Escudero’s “POV” during a concert by the Spółdzielnia Muzyczna contemporary ensemble as part of the National Student and Postgraduate Scientific Conference “ELEMENTI VIII Screen”, Academy of Music in Kraków, Cracow / PL
12 January 2020, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, “Dni muzyki nowej” Festival, Gdańsk / PL
2019
13 December 2019, music for a theatre play “Żyd z Wesela. Wycieczka krajoznawcza”, directed by Klaudia Hartung-Wójciak, Bagatela Theatre, Cracow / PL
12 December 2019, “Untitled Folder #3” – for accordion, percussion, sampler, audio playback and live-video, performed by Ensemble Kompopolex, WRO Art Centre, Wrocław / PL
2 December 2019, “Grocery Store Music #3” – for piano and audio playback, performed by Martyna Zakrzewska, Musica Moderna Festival, Łódź / PL
23 November 2019, “2 Szkice o ponadzłożoności rytmu” – for solo piano, performed by Martyna Zakrzewska (piano), Audio Art Festival, Cracow / PL
23 November 2019, “$w33t” – for sampler and audio playback, performed by Martyna Zakrzewska (piano) and Piotr Peszat (electronics), Audio Art Festival, Cracow / PL
23 November 2019, “Grocery Store Music #3” – for piano and audio playback, performed by Martyna Zakrzewska (piano) and Piotr Peszat (electronics), Audio Art Festival, Cracow / PL
23 November 2019, “Structures for one piano” – for piano and sampler, performed by Martyna Zakrzewska (piano), Audio Art Festival, Cracow / PL
23 November 2019, “Astral Dynamics” – for solo piano, performed by Martyna Zakrzewska (piano), Audio Art Festival, Cracow / PL
22 November 2019, “Real Life Proof” – video with 2-ch audio, Audio Art Festival, Cracow / PL
22 November 2019, “An Accomplished Young Lady” – for chamber ensemble, audio playback and live-video, performed by the Delirium Ensemble, Gare du Nord, Basel, Switzerland / CH
22 November 2019, performance of the electronics part in Kaj Duncan David’s “4c0st1ctr1g3r” as part of the Delirium Ensemble’s “(DE)Synchronisation” concert, Gare du Nord, Basel / CH
20 November 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Is Arti Festival, Kaunas / L
16 November 2019, “Untitled Folder” – for chamber ensemble and audio playback, performed by Ensemble Adapter, Festival Klangwerkstatt, Berlin / D
9 November 2019, “Grocery Store Music #5” – for chamber ensemble and audio playback, performed by Sond’Ar-te Electric Ensemble, Lisbon / PT
2 November 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Arena Festival, Riga / L
27 October 2019, performance of the electroacoustic part – live music for the film *Berlin: Symphony of a Great City* as part of the concert by Spółdzielnia Muzyczna contemporary ensemble, Muzeum Inżynierii Miejskiej, Cracow / PL
24 October 2019, “Into the Heart of Hearts” – for string quartet, audio playback and video, performed by NeoQuartet, “NeoArte – Synthesiser of Art” Festival, Gdańsk / PL
19 October 2019, “SUPERGALLERY” – a multimedia performance for two dancers, four-channel audio playback, live-electronics and video, performed by Agnieszka Kryst and Wojciech Grudziński (performers), Piotr Peszat (electronics), Klaudia Hartung-Wójciak (dramaturgy, texts), and Grzegorz Mart (video), Academy of Music in Kraków, Cracow / PL
19 October 2019, “Into the Heart of Hearts” (Part II) – for string quartet, audio playback and video, performed by NeoQuartet, ‘Kontrasty’ International Festival of Contemporary Music, Lviv / UA
18 October 2019, “Into the Heart of Hearts” (Part II) – for string quartet, audio playback and video, performed by NeoQuartet, Ternopil / UA
17 October 2019, “Into the Heart of Hearts” (Part II) – for string quartet, audio playback and video, performed by NeoQuartet, Kyiv / UA
15 October 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Ensemble Garage, Gaida Festival, Vilnius / LT
12 October 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Ensemble Garage, Goethe-Institut, Almaty / KZ
11 October 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Ensemble Garage, ARTiSHOCK Theatre, Almaty / KZ
1 October 2019, arrangement of Julius Eastman’s “Evil Nigger” for two accordions and four-channel audio playback, performed by Maciej Frąckiewicz, Rafał Łuc (accordions), Piotr Peszat (electronics), Sacrum Profanum Festival, Cracow / PL
1 October 2019, performance of the electroacoustic part in the “Reflections” by Dominykas Digimas, “Nigamagamini” by Egidija Medesaitė and “ASMR” by Andrius Arutiunian, as part of the concert “Lithuanian Post-Minimalism” by Spółdzielnia Muzyczna contemporary ensemble, Sacrum Profanum Festival, Cracow / PL
2 September 2019, music for a theatre play “Manat. Romans podwodny”, directed by Klaudia Hartung-Wójciak, Komuna Warszawa, Warsaw / PL
31 August 2019, “Vie et Passion du Christ” – for chamber ensemble, four-channel audio playback, live-electronics and video, performed by Spółdzielnia Muzyczna contemporary ensemble, Tadeusz Kantor Centre for Art Documentation Cricoteka, Cracow / PL
11 August 2019, “The Poetry of Silence” – for solo accordion, performed by Mateusz Dudek, Concert marking the 25th anniversary of the City of Kraków Creative Scholarship, Augustinian Church, Cracow / PL
1 June 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Musica Viva Festival, Lisbon / PT
28 April 2019, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Ensemble U:, “Discovering Young Composers Europe”, Tallinn / EST
29 March 2019, “Comforting Music” for two marimbas, audio playback and video, performed by Dalbergia Duo, “Poznańska Wiosna Muzyczna” Festival, Poznań / PL
15 March 2019, performance of the live-electronics part in an arrangement of Morton Feldman’s “For John Cage” as part of a concert by the Spółdzielnia Muzyczna contemporary ensemble, an event accompanying the “Sarkis-Kantor” exhibition at the Centrum Dokumentacji Sztuki Tadeusza Kantora Cricoteka, Cracow / PL
20 February 2019, “Grocery Store Music #3” – for solo piano and audio playback, performed by Martyna Zakrzewska, IMPULS 11th International Ensemble and Composers Academy for Contemporary Music, Graz / AT
2 August 2019, Real Life Proof – video with 2-ch sound, WAV-Venice Audio-Visual Show international festival, Venice / IT
2018
15 December 2018, performance of the electroacoustic part in Krzysztof Klima’s “9/11”, Auditorium of the Academy of Fine Arts in Kraków, Cracow / PL
1 December 2018, “Grocery Store Music #5” – for chamber ensemble and audio playback, performed by the Hashtag Ensemble, “Independent Polish Music” Conference, Academy of Music in Kraków, Cracow / PL
9 November 2018, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Mózg Festival, Bydgoszcz / PL
3 November 2018, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Kutaisi, Opera Theatre / GE
2 November 2018, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, Tbilisi, Tbilisi State Conservatoire / GE
27 October 2018, “Real Life Proof” – for chamber ensemble, audio playback and video, performed by Kwartludium, 7th “NeoArte – Synthesiser of Art” Festival, Gdańsk / PL
27 October 2018, performance of the electroacoustic part in Wojciech Błażejczyk’s “General Theory of Relativity” as part of a Kwartludium concert, “7th NeoArte – Syntezator Sztuki” Festival, Gdańsk / PL
27 October 2018, performance of the electroacoustic, live-electronics and video parts in the pieces “HELLO” by Alexander Schubert, “Yes, Master!” by Brigitta Muntendorf and “Und Sechs” by Michael Beil as part of a concert by the Spółdzielnia Muzyczna contemporary ensemble, at the 7th “NeoArte – Syntezator Sztuki” Festival, Gdańsk / PL
14 October 2018, “Jenny’s Soul. Or Dirk’s?” – for solo percussion, audio playback and video, performed by Aleksander Wnuk, MusicOlomouc – the International Festival of Contemporary Music, Olomouc / CZ
9 October 2018, “Jenny’s Soul. Or Dirk’s? #3” – for accordion and audio playback, performed by Jacek Kopiec, Kraków Accordion Festival, Cracow / PL
4 October 2018, music for a theatre play “Dziki”, directed by Klaudia Hartung-Wójciak, Jerzy Szaniawski Drama Theatre in Wałbrzych / PL
29 September 2018, intermedia performance “bazGRANIE” – a concert for a painter, an actor and electronics, creators: Grzegorz Mart, Wojciech Kiwer, Piotr Peszat, performers: Bartosz Bielenia (performer), Grzegorz Mart (painter), Wojciech Kiwer (electronics), Piotr Peszat (electronics), 61st International Festival of Contemporary Music “Warsaw Autumn”, Warsaw / PL
24 September 2018, “The Artist’s Way” – for symphony orchestra, audio playback and video, performed by the Orkiestra Akademii Beethovenowskiej, Wiktor Kociuban (conductor), 61st International Festival of Contemporary Music “Warsaw Autumn”, Warsaw / PL
16 September 2018, “Try To Watch This Without Crying” – for chamber ensemble and video, performed by the Spółdzielnia Muzyczna contemporary ensemble, Sacrum Profanum International Festival, Cracow / PL
16 September 2018, performance of the electroacoustic and video parts in “Firm up/Zapal się” by Mikołaj Laskowski and “Probably the most beautiful music in the world” by Marta Śniada during the concert “$półdzielnia” performed by Spółdzielnia Muzyczna Contemporary Ensemble, Sacrum Profanum Festival, Cracow / PL
8 September 2018, music for a theatre play “Koniec miłości”, directed by Dorota Androsz, Teatr Polski w Bydgoszczy, Bydgoszcz / PL
24 August 2018, “Grocery Store Music #5” – for chamber ensemble and audio playback, performed by the Spółdzielnia Muzyczna Contemporary Ensemble, Concert “Spółdzielnia Muzyczna – Opening”, Cracow / PL
24 August 2018, performance of the electroacoustic and live-electronics parts in the “Point Ones” by Alexander Schubert and “Grocery Store Music #5” by Piotr Peszat, Concerto “Spółdzielnia Muzyczna – Otwarcie”, Cracow / PL
18 August 2018, music for a performative reading “Zachód”, directed by Michał Kurkowski, “Literacki Sopot” Festival, Sopot / PL
26 July 2018, “Try To Watch This Without Crying #1” – for piano, audio playback and live-video, performed by Yu-Ting Mabel Huang, Darmstadt International Summer Courses for New Music, Darmstadt / D
29 June 2018, music for a theatre play “Chinka”, directed by Klaudia Hartung-Wójciak, TR Warszawa, Warsaw / PL
14 April 2018, “Grocery Store Music #3” – for piano and audio playback, performed by Martyna Zakrzewska, Academy of Music in Kraków, Cracow / PL
10 May 2018, “Jenny’s Soul. Or Dirk’s? #2” – for accordion, audio playback and video, performed by Wiesław Ochwat, “New Music in the Old Town Hall” concert series, Gdańsk / PL
9 March 2018, “Untitled folder #2” – for chamber ensemble and audio playback, performed by the Spółdzielnia Muzyczna Contemporary Ensemble, at the National Student and Postgraduate Research Conference “ELEMENTI VI Performans”, Academy of Music in Kraków, Cracow / PL
9 March 2018, performance of the electroacoustic, live-electronics and video parts in “Yes Master!” by Brigitta Muntendorf, “Point Ones” by Alexander Schubert, and “Untitled Folder #2” by Piotr Peszat during a concert by the Spółdzielnia Muzyczna Contemporary Ensemble as part of the National Student and Postgraduate Academic Conference “ELEMENTI VI Performans”, Academy of Music in Kraków, Cracow / PL
18 January 2018, “The Message” – for two pianos, audio playback and a two-channel video, performed by the GrauSchumacher Piano Duo, Ultraschall Festival, Berlin / D
2017
19 December 2017, “The Artist’s Way” – for symphonic orchestra, audio playback and video, performed by the Orkiestra Akademii Beethovenowskiej, Wiktor Kociuban (conductor), Juliusz Słowacki Theatre, Cracow / PL
17 December 2017, “The Artist’s Way” – for symphonic orchestra, audio playback and video, performed by the Orkiestra Akademii Beethovenowskiej, Wiktor Kociuban (conductor), Mieczysław Karłowicz Philharmonic in Szczecin / PL
14 December 2017, “Untitled folder” – for chamber ensemble and audio playback, performed by Ensemble Adapter, Berlin / D
25 November 2017, “U.N. Owen Was Her?” – for electric string quartet, audio playback and video, performed by NeoQuartet, Audio Art Festival, Cracow / PL
24 November 2017, “U.N. Owen Was Her?” – for electric string quartet, audio playback and video, performed by NeoQuartet, BWA Olsztyn / PL
26 October 2017, “U.N. Owen Was Her?” – for electric string quartet, audio playback and video, performed by NeoQuartet, Artists’ Colony, Gdańsk / PL
23 October 2017, “Jenny’s Soul. Or Dirk’s #2” – for accordion, audio playback and video, performed by Wiesław Ochwat, International Scientific and Artistic Conference “Around the History of the Accordion. The Accordion Virtuoso Then and Now”, I.J. Paderewski Academy of Music in Poznań, Poznań / PL
20 October 2017, “My Body. My Capital.” – video with two-channel sound, Sacrum Profanum Festival, Online
3 October 2017, “Jenny’s Soul. Or Dirk’s? #2” – for accordion, audio playback and video, performed by Wiesław Ochwat, Kraków Accordion Festival, Cracow / PL
18 September 2017, performance of the electroacoustic, live-electronics and video parts in the “Point Ones” by Alexander Schubert, “Dzięki, Leszek…” by Jacek Sotomski, “Der Weg der Verzweiflung (Hegel) ist der chromatische” by Johannes Kreidler, as part of a concert by the Spółdzielnia Muzyczna contemporary ensemble, at the “Warsaw Autumn” International Festival of Contemporary Music, Warsaw / PL
24 August 2017, intermedia performance “RePerformance”, performed by Grzegorz Mart (painter), Maciej Koczur (conductor), Jakub Gucik (cello), Piotr Peszat (live electronics), Ośrodek Dokumentacji Sztuki Tadeusza Kantora Cricoteka, Cracow / PL
2 August 2017, “Equilibrium” – for clarinet and chamber string ensemble, performed by Andrzej Wojciechowski (clarinet), the Polish Chamber Philharmonic Sopot, Dawid Runtz (conductor), Sopot Classic Festival, Sopot / PL
20 June 2017, music for a performative reading “Kultura Kłamstwa”, directed by Klaudia Hartung-Wójciak, Malta Festival, Poznań / PL
15 May 2017, “Grocery Store Music #3” – for piano and audio playback, performed by Martyna Zakrzewska, Cologne / D
22 April 2017, “Grocery Store Music #3” – for piano and audio playback, performed by Martyna Zakrzewska, Academy of Music in Kraków, Cracow / PL
7 April 2017, music for a performative reading “Kultura Kłamstwa”, directed by Klaudia Hartung-Wójciak, Jerzy Szaniawski Drama Theatre in Wałbrzych, Wałbrzych / PL
28 March 2017, “Jenny’s Soul. Or Dirk’s?” – for percussion, audio playback and video, performed by Aleksander Wnuk, “Poznańska Wiosna Muzyczna” Festival, CK “Zamek”, Poznań / PL
19 March 2017, “Jenny’s Soul. Or Dirk’s?” – for percussion, audio playback and video, performed by Aleksander Wnuk, National Student and Postgraduate Research Conference “ELEMENTI V Techno”, Academy of Music in Kraków, Cracow / PL
18 March 2017, performance of the moderator’s part in Johannes Kreidler’s “Fremdarbeit” as part of a concert by the Spółdzielnia Muzyczna contemporary ensemble, National Student and Postgraduate Scientific Conference “ELEMENTI V Techno”, Academy of Music in Kraków, Cracow / PL
15 February 2017, “Try to listen to this without crying #1” – for baroque cello, harpsichord and audio playback, performed by Katarzyna Cichoń (cello) and Małgorzata Klajn (harpsichord), Academy of Music in Kraków, Cracow / PL
28 January 2017, music for theatre play “Trzynaście sztuk awangardowych”, directed by Roman Siwulak, Ośrodek Dokumentacji Sztuki Tadeusza Kantora Cricoteka, Cracow / PL
2016
3 December 2016, “Cityscapes: Kraków II” – four-channel audio playback, Donostia – San Sebastián 2016 European Capital of Culture, San Sebastián / ES
20 November 2016, “Duck and Cover #2” – for amplified cello, audio playback, and video, performed by Jakub Gucik (cello) and Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
20 November 2016, “Birth of Venus #2” – for amplified cello, any string instrument, audio playback, and video, performed by Paulina Woś-Gucik (violin), Jakub Gucik (cello), Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
20 November 2016, “Ririchiyo #2” – for chamber ensemble and audio playback, performed by Spółdzielnia Muzyczna contemporary ensemble, Mateusz Rusowicz (conductor), Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
20 November 2016, “Peszat’s got Talent #3” – for accordion, cello, audio playback, and video, performed by Wiesław Ochwat (accordion), Jakub Gucik (cello), Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
20 November 2016, “Grocery Store Music #2” – for chamber ensemble and audio playback, performed by the Spółdzielnia Muzyczna contemporary ensemble and Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
20 November 2016, “Jenny’s Soul. Or Dirk’s?” – for percussion, audio playback, and video, performed by Aleksander Wnuk (percussion) and Piotr Peszat (electronics), Audio Art Festival, Academy of Music in Kraków, Cracow / PL
13 October 2016, “Grocery Store Music #1” – for chamber ensemble and audio playback, performed by Ensemble HELIX, “Next Generation” Workshops, Donaueschinger Musiktage Festival, Trossingen / D
11 October 2016, “Peszat’s Got Talent #2” – for accordion, double bass, audio playback, and video, performed by Wiesław Ochwat (accordion), Kazimierz Pyzik (double bass), and the “Krakowski Festiwal Akordeonowy”, Cracow / PL
23 September 2016, “The Message” – for two pianos, sampler, audio playback and video, performed by the GrauSchumacher Piano Duo, 59th International Festival of Contemporary Music “Warsaw Autumn,” Warsaw / PL
11 August 2016, “$w33t” – for piano, audio playback and video, performed by Martyna Zakrzewska, 48th International Ferienkurse Darmstadt, Darmstadt / D
23 June 2016, performance of the concert “Alarm – percussion thriller”, Aleksander Wnuk, Bartosz Sałdan (percussion), Piotr Peszat (live-electronics), “Wschód Kultury” Festival, Rzeszów / PL
19 May 2016, “Cityscapes: Kraków II” – four-channel audio playback, “Musica Electronica Nova” Festival, Wrocław / PL
13 April 2016, “Los Armstrong Lakers” – for 11 brass instruments and sampler, performed by Precipitevolissimevolmente, Wioletta Fluda (sampler), Maciej Koczur (conductor), “Musica Polonica Nova” Festival, Wrocław / PL
9 April 2016, “$w33t” – for piano, audio playback and video, performed by Martyna Zakrzewska, Academy of Music in Kraków, Cracow / PL
5 March 2016, Installation “Chameleon Dance ver.#1” – for symphony orchestra and audio playback, performed by the Lutosławski Orchestra Moderna, Błażej Kozłowski (conductor), National Student and Doctoral Research Conference “ELEMENTI IV Articulations”, Academy of Music in Kraków, Cracow / PL
5 March 2016, “Ririchiyo” – for chamber ensemble and sampler, performed by Spółdzielnia Muzyczna contemporary ensemble, Mateusz Rusowicz (conductor), National Student and Doctoral Research Conference “ELEMENTI IV Articulations”, Academy of Music in Kraków, Cracow / PL
5 March 2016, performance of the live-electronics and multimedia parts in the “Limbo Lander – Quizzle Translate” by Jagoda Szmytka as part of a concert by the Spółdzielnia Muzyczna contemporary ensemble, National Student and Doctoral Research Conference “ELEMENTI IV Articulations”, Academy of Music in Kraków, Cracow / PL
2015
5 December 2015, “Birth of Venus” – for amplified cello, any string instrument, sampler and lights, performed by Jakub Gucik (cello), Paulina Woś (violin), Piotr Peszat (electronics), “Relationale Musik” Concert, Academy of Music in Kraków, Cracow / PL
5 December 5 2015, “Even More Glory [????] of the human voice” – for piano and smartphone / or two pianists / or a pianist and an actor, performed by Martyna Zakrzewska (piano), Dominika Feiglewicz (actress), “Relationale Musik” concert, Academy of Music in Kraków, Cracow / PL
5 December 2015, “Duck and Cover” – for amplified cello and video, performed by Jakub Gucik (cello), “Relationale Musik” concert, Academy of Music in Kraków, Cracow / PL
5 December 2015, “Ririchiyo” – for chamber ensemble and sampler, performed by Spółdzielnia Muzyczna contemporary ensemble, Mateusz Rusowicz (conductor), “Relationale Musik” concert, Academy of Music in Kraków, Cracow / PL
5 December 2015, “$w33t” – for piano, audio playback, and video, performed by Martyna Zakrzewska (piano) and Piotr Peszat (electronics), “Relationale Musik” concert, Academy of Music in Kraków, Cracow / PL
20 November 2015, “Ririchiyo” – for chamber ensemble and sampler, performed by Ensemble Recherche, “KlassenArbeit” concert, Freiburg / D
15 October 2015, “Peszat’s Got Talent” – for chamber ensemble and sampler, performed by Ensemble Nostri Temporis, Grzegorz Wierus (conductor), aXes Triduum of New Music, Academy of Music in Kraków, Cracow / PL
5 September 2015, “A ≠ Å” – for soprano, bass clarinet, percussion, double bass, and sampler, performed by the Figura Ensemble, Copenhagen, “Festspiele/Maskinhallen” concert, Copenhagen / DK
3 September 2015, “Birth of Venus” – for amplified cello and violin, performed by the NYKY Ensemble, Ung Nordisk Musikfestival, Helsinki / FI
25 August 2015, “Computer Chronicles” for wind octet, performed by Klangforum Wien, Europäisches Forum Alpbach, Erwin Schrödinger Saal, Alpbach / AT
23 August 2015, “Pensées Étranglées” for symphonic orchestra, performed by the Lucerne Festival Academy Orchestra, Mariano Chiacchiarini (conductor), Lucerne Festival, KKL Luzern, Lucerne / CH
28 June 2015, “Grandpa H.” – video opera for soloist, chamber ensemble, sampler, and two-channel video layer, performed by Aarhus Sinfonietta, Piotr Peszat (soloist), PanoRAMA Festival, Aarhus / DK
27 June 2015, “Interiør i Strandgade” – for chamber ensemble, performed by Aarhus Sinfonietta, PanoRAMA Festival, Aarhus / DK
27 June 2015, “Birth of Venus” – for amplified cello and violin, performed by Daniel Mortensen (violin) and Malthe Højager (cello), PanoRAMA Festival, Aarhus / DK
1 June 2015, “Passione di Papae Marcelli” – for two organs, performed by Julian Gołosz and Krzysztof Augustyn, 49th Organ Music Days in Kraków, St. Catherine’s Church, Cracow / PL
12 April 2015, “Duck and Cover” – for amplified accordion, cello, and video, performed by TWOgether Duo, 5th “Dni Muzyki Nowej” Festival, Gdańsk / PL
11 April 2015, “Birth of Venus” – for amplified cello and violin, performed by Daniel Mortensen (violin) and Malthe Højager (cello), RAMA Festival, Aarhus/ DK
11 March 2015, “Birth of Venus” – for amplified cello and violin, performed by Daniel Mortensen (violin) and Malthe Højager (cello), Pulsar Festival, Copenhagen / DK
5 March 2015, “Mo-Yan” – for percussion, guzheng, accordion, piano, and cello, performed by the Scenatet Ensemble, Pulsar Festival, Copenhagen / DK